Jes tajali ne jala dala Koh-e-Tur ko Best True Line Images with Text

Jes tajali ne jala dala Koh-e-Tur ko Best True Line Images with Text


Jes tajali ne jala dala Koh-e-Tur ko  Woh tajali hum sha rag mai lia bethy hain

Jes tajali ne jala dala Koh-e-Tur ko
Woh tajali hum sha rag mai lia bethy hain

Allah Pak farmata hai Mera ho ker tu dekh har kesi ko tera na bana do tu kehna

Allah Pak farmata hai Mera ho ker tu dekh har kesi ko tera na bana do tu kehna

Tumhara kya hai? Sub kuch Allah ka hai .. yani k tum bhi

Tumhara kya hai? Sub kuch Allah ka hai .. yani k tum bhi

Teri S.A.W. aik nighah ki baat hai meri zindagi ka sawal hai

Teri S.A.W. aik nighah ki baat hai meri zindagi ka sawal hai



Tu shah e ishq hai tera palra bharii.. mai faqeer e ishq hoon.. Mera tan bhi khali mera maan bhi khali

Tu shah e ishq hai tera palra bharii.. mai faqeer e ishq hoon.. Mera tan bhi khali mera maan bhi khali

Bandgi ka mera andaz juda hota hai  Mera Kabah mere sajdoo mai chupa hota hai

Bandgi ka mera andaz juda hota hai
Mera Kabah mere sajdoo mai chupa hota hai

Sara jag mukhalif ho jaway Bulheya bas yaar manafiq na howay

Sara jag mukhalif ho jaway Bulheya bas yaar manafiq na howay

Kaha tera astana kaha meri sajda rezi  Tere dar k hoon jo qabil wo mai lao sar kaha se

Kaha tera astana kaha meri sajda rezi
Tere dar k hoon jo qabil wo mai lao sar kaha se

Ishq ki akhari hadoo mai hoon  Raakh hoon aur jal nahi skta sahib

Ishq ki akhari hadoo mai hoon
Raakh hoon aur jal nahi skta sahib

Hai be khudi mai sara jahan inka  Har ada pay qurban hona hai imaan inka

Hai be khudi mai sara jahan inka
Har ada pay qurban hona hai imaan inka

Woh ishq namaz sikha mujh ko ya rab  Jes namaz mai sirf tu mily mujh ko

Woh ishq namaz sikha mujh ko ya rab
Jes namaz mai sirf tu mily mujh ko

Rab dy naal v teri galaan

Rab dy naal v teri galaan

Mai adam zada hoon mula tu mujh ko janta tu hai  K zyda azmaish per mai janat haar jao ga

Mai adam zada hoon mula tu mujh ko janta tu hai
K zyda azmaish per mai janat haar jao ga



Ashiq, chor, faqeer mangde ne gup andhera  aik lataway, ik luty, aik akhy sub kuch tera

Ashiq, chor, faqeer mangde ne gup andhera
aik lataway, ik luty, aik akhy sub kuch tera

 Tu apni bargah mai mujh ko buland rakh  Dunya giraye nazar se, ya asman se

Tu apni bargah mai mujh ko buland rakh
Dunya giraye nazar se, ya asman se



Yaha har sakhis tamashai hai  Hum ne dekha hai tamasha ban ker

Yaha har sakhis tamashai hai
Hum ne dekha hai tamasha ban ker



Pata hai woh Rab kes baat pay khush hota hai? jub tum os ki di hoi be-basi pay bhi razi ho jao

Pata hai woh Rab kes baat pay khush hota hai? jub tum os ki di hoi be-basi pay bhi razi ho jao

Kabhi kabhi mujhe youu azaan bulati jese bigaray howay bachy ko maan bulati hai

Kabhi kabhi mujhe youu azaan bulati jese bigaray howay bachy ko maan bulati hai



Dua ki qabuliat awaz ki bulandi nahi dil ki tarap ka taqaza kerti hai

Dua ki qabuliat awaz ki bulandi nahi dil ki tarap ka taqaza kerti hai



Ishq Jub ain- zaat ho jaye halaq mujzaat ho jaye  Umar bhar chup raho tu mumkin hai "Kun" kaho kainaat ho jaye



Ishq Jub ain- zaat ho jaye halaq mujzaat ho jaye
Umar bhar chup raho tu mumkin hai "Kun" kaho kainaat ho jaye

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Urdu poetry (Urdu Shayari) is a rich tradition of poetry and has many different forms. Today, it is an important part of the cultures of South Asia. Meer, Dard, Ghalib, Anees, Daag Dehlvi, Dabeer, Iqbal, Zauq, Josh, Akbar, Jigar, Faiz, Firaq, Shakeb Jalali, Ahmad Nadeem Qasmi, Shair, Mohsin, Faraz, Faizi and Firaq are among the greatest poets of Urdu. The language of Urdu got its pinnacle under the British Raj, and it received official status. All famous writers of Urdu language including Ghalib and Iqbal were given British scholarships. Following the Partition of India in 1947, it found major poets and scholars were divided along the nationalistic lines. However, Urdu poetry is cherished in both the nations. Both the Muslims and Hindus from across the border continue the tradition.

It is fundamentally performative poetry and its recital, sometimes impromptu, is held in and in Mushairas (poetic expositions). Although its tarannum saaz (singing aspect) has undergone major changes in recent decades, its popularity among the masses remains unaltered. Mushairas are today held in metropolitan areas worldwide because of the cultural influence of South Asian diaspora. Ghazal singing and Qawwali are also important expository forms of Urdu poetry. Bollywood movies have a major part in popularising Urdu poetry (Urdu Shayari) with younger generations.

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